Exhibition

Charlotte Kent surveys how Casey Reas is continuing the legacy of pioneering exploration into the natural world, transforming data into art through photographic, cinematic and now digital imagery.

The curator of Unit's group exhibition 'In Praise of Black Errantry', Indie A. Choudhury, discusses the wayward themes that underpin the exhibition, presented at the 60th Venice Biennale.

Writer Catherine Flood reflects on the history of gluttony, examining the context that informs the contemporary practices presented in the Voices group exhibition, Serving Gluttony.

Nicolas Holiber's latest exhibition marks his first fully abstracted series of artworks, on display at Frevo New York.

Author Samuel Johnson-Schlee dives into the tactile intimacies between subject and object depicted in Jess Allen's debut solo show with Unit, 'This is Now'.

We hear from the gallery's female artists about being a contemporary woman in the arts, and look at two upcoming exhibitions, 'This is Now' and 'The Three Graces'.

Writer Phyllida Bluemel muses on her visit to Nettle Grellier's studio in Cornwall ahead of the artist's solo Voices presentation for Unit.

Join Fitsum Shebeshe and Serubiri Moses, curators of More Than One Memory, as they explore Washington, D.C. while discussing colonial history and African modernism.

Dr Zsofi Valyi-Nagy considers Zachary Lieberman's practice in relation to the life and work of computer-art pioneer Vera Molnár to accompany the artist's solo exhibition, 'Circles, Blobs, Ripples', 2024.

Read Chibundu Onuzo’s essay on Lydia Merrett’s exploration of endurance sports and female athletes in her first solo presentation with Unit.

Dr Emma Sullivan, Open University, UK, explores the core themes and concepts of Mauro C. Martinez's solo exhibition, 'Practice Makes Purrfect', 2024.

Dive deeper into Ziping Wang's latest solo exhibition, Small Talk, with essay by Eugene Yiu Nam Cheung.

In celebration of our online exhibition, After Ginsberg, we had the pleasure of speaking with the artists, technologists & organisations who have made this ongoing literary experiment on the blockchain…

Stacey Gillian Abe is showcased in the dot.ateliers group exhibition "left hanging - one sculpture, one rug, and paintings" in Accra, Ghana.

An essay by programme curator Kelsey Corbett outlines the foundational structure of The Sun Never Sets, which considers the myriad ramifications of empire.