Introduction
Unit presents Don’t Look Back, an energetic, multi-layered exhibition that channels the raw creative drive of the 1990s and early 2000s – an era defined by bold, irreverent gestures – into today’s world.
In a time marked by uncertainty and cultural pause, that same urgency feels vital now, with Don’t Look Back tapping into a renewed impulse to make, to gather and to act. Through painting, sculpture, performance and installation, the exhibition brings together a cross-generational group of artists whose work captures the restless momentum of collective creativity.
Curated by Beth Greenacre and Sigrid Kirk, the exhibition re-examines the ‘90s & Noughties through a contemporary lens – one that is more inclusive, diverse, and alive with possibility. Don’t Look Back celebrates the vitality, grit and humour found across different communities at that time, and how that spirit continues to evolve in its embrace of queer voices, powerful female identities and broader expressions of individuality that stretch far beyond the laddish narratives often attached to the period.
The curators note, “With Don’t Look Back, we set out to create a defining cultural moment that reflects on the evolving legacies of the 1990s and 2000s while looking decisively forward. Staged like a multi‐gig event, it rips up the rulebook on what an exhibition can be, reimagining that era’s defiance through today’s expansive artistic expressions. It avoids nostalgia for nostalgia’s sake, instead foregrounding experimentation, humour, and the idea of a living legacy.”
At the time, artists like Sarah Lucas, Tracey Emin, Richard Billingham and Gavin Turk pushed boundaries in visual art, confronting norms with playful irreverence and raw honesty. While this convergence of art and music was quickly courted by New Labour’s “Cool Britannia,” it also sowed seeds of defiance and DIY experimentation that artists continue to build on today. Don’t Look Back questions how these legacies endure, reimagined through more intersectional and inclusive lenses.
The exhibition structure reflects the charged atmosphere of a live gig, with audiences moving through spaces that echo the momentum of a live performance, from grassroots creativity and the collective energy of shared space, to slower, more introspective works that speak to desire, fragility, and the deeply personal stakes of artistic production.
Selected Works
Richard Billingham
RAL 50 (Ray and Cat on Dresser)
1994
Edition: 7 + 1 A/P, 1/7
80 x 120 cm
James White
Dream, Believe, Achieve
2020
62 x 72 x 5 cm
Bex Massey
Millennium
2022
100 x 100 cm
Gavin Turk
Lite
2009
80 x 110 x 150 cm
Mark Titchner
Ergo Ergot
TBC
200 x 200 cm
Tom Speedy
(dis)place
TBC
195 x 195 cm (framed)
James White
Plant
2020
62 x 72 x 5 cm
George Shaw
The Great Lover
2018
147.5 x 198 cm
Keith Coventry
Junk 3
2002
87 x 74 cm
Abigail Lane
Landscape
2023
50 x 35 x 2 cm
George Shaw
Half English 3
2019-2020
43 x 53 x 2.5 cm
Pam Evelyn
Sun Study
2022
321 x 117 cm
Thomas Cameron
Balconies at Night
2024
180 x 120 cm
Abi Huxtable
A tightly cropped photograph of a gen Z girl messily eating a hamburger
2023
76 x 76 cm
Polly Morgan
New Dish
2023
150.5 x 49 x 6.2 cm
Abigail Lane
Supernatural
2023
114 x 250 cm (framed)
Richard Billingham
NRAL 5 (Ray in Corridor)
1996
Edition: 5 + 1 A/P, 3/5
105 x 108 cm
Collecting
exhibitions, artists and events.