In IRL, a generational and international group of artists address an impending, yet obscure future. During these unparalleled times of isolation and remoteness, our very definition of the term ‘IRL’ can no longer unequivocally differentiate between our physical reality and our digital reality.
In response to an uncertain world, the works presented in IRL manifest as disquietingly surrealist spaces that are brimming with fantastical and mystical elements. Any apprehension about the unknown is juxtaposed with a creative curiosity as these artists explore uncharted territory. As we internationally attempt to realise a ‘new-normal’, this group of artists strives towards innovative methods of representation to describe an ever-changing global landscape.
These artists have been able to reach a striking equilibrium; their artworks may render abstract figures, otherworldly scenes and imagined landscapes, but they remain intuitively familiar to us.
These works engage with universal concepts of memory, time, identities and human relationships through a highly surrealist visual language. IRL then presents a selection of artworks that enter into an uncanny territory; elements of reality are offered to us, yet something remains different and unsettling. IRL is therefore an exhibition that is able to exist concurrently on two planes. The show simultaneously inhabits two realms, collapsing the barriers between the online and the offline, the physical and the virtual, the real and the surreal.
These artists have been able to reach a striking equilibrium; their artworks may render abstract figures, otherworldly scenes and imagined landscapes, but they remain intuitively familiar to us.
These works engage with universal concepts of memory, time, identities and human relationships through a highly surrealist visual language. IRL then presents a selection of artworks that enter into an uncanny territory; elements of reality are offered to us, yet something remains different and unsettling. IRL is therefore an exhibition that is able to exist concurrently on two planes. The show simultaneously inhabits two realms, collapsing the barriers between the online and the offline, the physical and the virtual, the real and the surreal.
Jeremy Olson
Affiliates of Light
2020
61 x 51 cm
Megan Ellen MacDonald
Water Fowl
2020
Megan Ellen MacDonald
Picnic
2020
Christopher Hartmann
Untitled
2020
40 x 30 cm
Megan Ellen MacDonald
Tender Glass
2020
Christopher Hartmann
When you know, you know
2020
40 x 30 cm
Fabien Adèle
Théâtre
2020
100 cm x 140 cm
Fabien Adèle
Figure
2020
100 x 80 cm
Youada
Biang biang biang !!!
2018
120 x 120 cm
Stacey Gillian Abe
Dear Letaru…
2020
Laura Krifka
Terminator
2017
Natalie Wadlington
Tide Pools
2020
Seth Armstrong
Pink
2020
Seungcheol Ok
ID Picture
2020
90 x 90cm
Aokizy
ID Picture
2020
Seungcheol Ok
Matador
2020
120 x 120 cm
Amadeo Morelos
Good Boy
2019
Dominic Chambers
Her Softness in Red (Grace Lynne Haynes)
2020
142.24 x 167.64 cm
Natalie Wadlington
Fall Bones
2020
Stacey Gillian Abe
7 Belongs Here
2020
Amadeo Morelos
Tail Between My Legs
2019
Isaac Mann
The Kiss III
2018
Dominic Dispirito
Jinyong-Autumn in Burgess park
2020
Isaac Mann
Hanky Panky
2019
Karen Seapker
The Conjurer
2020
Lee Simmonds
I don’t wanna live like this, but I don’t wanna die
2020
Karen Seapker
Opening
2020
Sholto Blissett
Garden of Hubris VI
2020
Nettle Grellier
Tangle tease//Ah ha ha ha come the fuckdown
2020
Ry David Bradley
(ht(ZZ2d
2019
Youada
When a tiger comes down to ZhuanTang, it is ridden by a white dog
2020
Youada
Drugtown Happy Party
2019
Youada
When a tiger comes down to ZhuanTang, it is ridden by a black dog
2020
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