9 December 2020 - 17 January 2021

Philip Colbert

Lobsteropolis at Saatchi Gallery

Unit London are delighted to present Philip Colbert: Lobsteropolis at Saatchi Gallery. Influenced by the global covid pandemic, Colbert has designed the exhibition to work both digitally and in situ by utilising robots that allow viewers to interactively engage with the exhibition.

Available Works

Daydreamer (Seated Lobster), 2020 Polished stainless steel 150 cm x 140 cm x 140 cm
Bedroom in Arles, 2020 Oil on Canvas 275 cm x 417 cm x 5 cm
Lobster with Medusa, 2020 Carrara marble 120 cm x 60 cm x 90 cm
Flower Study from Lobster Land Museum (Blue, White, Yellow Red), 2020 Oil and acrylic on canvas 120 cm x 120 cm
Lobster Flower, 2020 Acrylic and Lacquer on Bronze 225 cm x 175 cm x 97 cm
Lobster Fountain, 2020 Oil and acrylic on canvas 275 cm x 245 cm
Soldier in a Wood Triptych, 2020 Oil and acrylic on canvas 275 cm x 417 cm
Bedroom in Arles, 2020 Oil on Canvas 275 cm x 417 cm x 5 cm
Lobster Cactus (Yellow), 2020 Oil and Acrylic on Canvas 150 cm x 177 cm x 5 cm
Lobster Flower (Magenta), 2020 Oil and acrylic on canvas 160 cm x 132 cm
Collaboration Painting from the Lobster Land Museum, 2020 Oil and acrylic on canvas 195 cm x 220 cm
Lobster Fountain, 2020 Acrylic and Lacquer on Bronze 108 cm x 100 cm x 110 cm
Lobster Cactus, 2020 Acrylic and Lacquer on Bronze 106 cm x 120 cm x 60 cm
Hope of Love, 2020 Oil on Canvas 275 cm x 460 cm x 5 cm
Collaboration Painting Triptych, 2020 Oil and Acrylic on Canvas 270 cm x 585 cm x 5 cm
Hunt Scene VIII, 2019 Oil and acrylic on canvas 288 cm x 660 cm
Hunt Scene II, 2020 Oil and Acrylic on Canvas 195 cm x 270 cm x 5 cm
Hunt Scene, 2020 Oil and acrylic on canvas 195 cm x 270 cm
Snake-Hunt Sculpture, 2020 Acrylic and Lacquer on bronze 250 cm x 210 cm x 165 cm

Philip Colbert’s works are exuberant attempts to update the practice of collage for the internet age.

His paintings challenge and toy with the viewer’s cultural vocabulary. He superimposes commonplace, banal objects onto painted faces and merges portraiture with popular culture in a Magritte-like fashion. Emojis, computer windows, classical architecture, Lichtenstein spots, comic book sound effects, cactus plants and pixelated mouse cursors all have a place in Colbert’s world. His work powerfully explores the patterns of contemporary digital culture and its relationship to a deeper art historical dialogue. Colbert points out that many of the symbolic references of art history have become as iconic in themselves as Coca Cola or Google; Warhol’s work is easily as recognisable as the McDonald’s sign or the apple symbol. In his brash, splashy world of contemporary culture, Colbert explains his reasoning for his cartoon-like vision. “In these dark days I wanted to push forward the visual fantasy and energy of my Lobster universe as a source of positive creative energy. For me the subject of art is an important celebration of human freedom.”

Under lockdown, Colbert’s shrunken horizons and own social media echo chamber prompted him to conceptualise Lobsteropolis as his response to the pandemic as an optimistic reminder of fun, colour and freedom. “The main development that came from my housebound period of lockdown was the new forms the Lobster has mutated into”, he says by way of explanation. “The lobster shark and lobster cactus for example. I wanted to push my creative identity forward.”

Lobsteropolis invites its viewers to engage both physically and digitally.

Guests are able to visit the gallery in person by booking their ticket online or they can register a time slot with their own personal lobster machine. With the help of Colbert’s automated robot lobsters, gallery visitors are able to experience the intricacies of his monumental works from their own homes. The artist has therefore conceived an exhibition that is completely ‘lockdown proof’ by enabling digital viewers to tour the gallery space via their smartphones, computers or zoom.