Coinciding with Frieze London, Sensitive Content is an international group exhibition curated by the artist Helen Beard and art historians Alayo Akinkugbe and Maria Elena Buszek. The exhibition gives voice to those who have been systematically marginalised, showcasing works that have often been censored.
Censorship has been a longstanding source of contention throughout the history of art, being the most persistent form of violation to artistic freedom of expression. Museums, governments, and corporations have reserved the right to censor artworks for centuries on the grounds that these works are offensive to the public, that they upset the established status quo and systems of convention. Today, visual art is frequently in the firing line of social media’s sensitivity filters. The exhibition seeks to uncover ways in which these restrictions are encouraging our society to regress to a sanitised art culture, but also the courageous, creative methods by which artists are pushing back.
From the British government’s destruction of Penny Slinger’s books to Renee Cox’s showdown with New York’s then-mayor Rudolf Giuliani over religious imagery; Betty Tompkins’ massive paintings seized by French Customs for obscenity to Xiao Lu’s poetic allegories of censorship itself made under the watchful eye of the Chinese authorities, the artists in Sensitive Content confront censorship in the political realm. The exhibition also addresses more recent, everyday examples of censorship in social media, where the feminist, queer, and anti-racist work of artists like Polly Borland, and Emma Shapiro is frequently flagged, removed, and banned by overzealous artificial intelligence filters and undercooked “sexual solicitation” laws alike.
Curated by the artist Helen Beard, and art historians Alayo Akinkugbe and Maria Elena Buszek, this exhibition for Unit London will coincide with Frieze London, and will be accompanied by a catalogue, panel, and other events during that week pertaining to the show.
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Works
Polly Borland
Nudie 10
2021
102.2 cm x 135.9 cm x 3.8 cm
Helen Beard
Selenicereus grandiflorus (Queen of The Night)
2021
Caroline Coon
I AM WHORE
2019
Leah Schrager
Infinity Selfie II
2016
79 cm x 117 cm
Cary Kwok
Men on the Verge of a Nervous Breakdown
2022
Renee Cox
Yo Mama’s Last Supper
1996
76.2 cm x 381 cm
Penny Slinger
The Golden Pyramid
1976-77
41.9 cm x 58.4 cm
Linder
Untitled (TV Sex)
1977
29.6 cm x 20.8 cm Not For Sale
Collection Paul and Anna Stolper
Sarah Hardacre
West End Girl In A Denim World
2018
54 cm x 41.5 cm
Beverley Onyangunga
Parts Of A Rubber Tree
2022
Carol Rama
Malelingue
2002
35 cm x 45 cm
Betty Tompinks
Censored Painting #1
2019
Emma Shapiro
Cuerpas (Compilation 3)
2021
Mauro C. Martinez
Sensitive Content No. 34
2022
180 cm x 180 cm
Micol Hebron
Under/Over Exposed in the Museum, Monet
2015/2022
47 cm x 61 cm
Pussy Riot
PUSH THIS BUTTON
2022
101 cm x 76 cm
Sally Hewett
Nursing Chair with Placenta Footstall
2021
100 cm x 75 cm x 85 cm
Renate Bertlmann
Zärtliche Berührungen (Tender Touches)
1976
95.5 cm x 97 cm
Xiao Lu
Polar-2
2016
120 cm x 80 cm
Unit London Editions
Mauro C. Martinez
Sensitive Content No.33
2022
Hand-signed and numbered by the artist,
with accompanying hand-signed and numbered work on paper.
Edition of 50
50.8 cm x 40.6 cm
Caroline Coon
THE PUTIN WAR MONSTER
2022
Hand-signed and numbered by the artist
Edition of 5
54.5 cm x 78 cm
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